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Godland #17-18

Posted 27 Jun 2007

Writer: Joe Casey
Artist: Tom Scioli
Publisher: Image Comics


 4.50 out of 5 Stars

Reviewed by Adam McGovern

 


The definitive cosmic hallucination is back in orbit after a few overly expository issues. Gødland #17 and 18 return to the kind of kaleidoscopic narrative that you take in in a jaw-dropped rush the first time and then spend several hours absorbing. Writer Joe Casey’s career accomplishment to date, this book is plotted not in a line but on a spiral, with events careening toward each other and pulling away like rogue planets and bursting galaxies.

“Tom Scioli’s Kirby-by-way- of-Kubrick-by-way-of- Timothy-Leary art is more mindblowing than ever.”


At the moment, cosmically-aware ex-astronaut Adam Archer is grounded in a grinding depression over the disappearance of his sister and rival Neela, who seems to be dead while she’s really on the other side of the galaxy being groomed as some kind of cosmic counterweight to the power he doesn’t want anyway. Three Freudian dimension-deities (Ed, Eeg-oh and Supra) are planning to detonate the Earth but are slowly being stopped in their tracks by contamination from the human race’s complicating emotions. Retired fiend The Tormentor is mounting a hybrid were-insect assault on the clueless super-soldier-of-fortune, Crashman, who’s converging on Adam while Adam’s sister Angie sees visions of Neela and ’nother sister Stella tries to hold the universe and her dysfunctional siblings together. And I didn’t even mention the giant talking dog-sensei.

Tom Scioli’s Kirby-by-way-of-Kubrick-by-way-of-Timothy-Leary art is more mindblowing than ever — still a ways to go on some facial expressions and convincing body language, but the overall effect is immersively epic and ingeniously designed, with an imagination for unearthly detail and an instinct for emotional impact that makes its immense spectacles intimately felt.

Fitting this, the newest issues give the best look yet into the dynamics and personalities of the family at the center of the saga — the Archers seem to be the all-American group of achievers, but the same abilities and integrity that make them special have always seemed to set them apart, putting them at odds with the very country whose values they exemplify (just ask the Tillmans) — and in the latest issues this has gotten literal, as the family’s skyscraper headquarters is sealed off with them in it when the government comes to fear Adam’s power and possible loyalties.

Will they think their way out of this one? Gødland is mind-expanding enough to make it possible, and you should tune in now for the many trips to come.

—CCdC—

 

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Cover image used without explicit permission in accordance with the "Fair Use" provision of US copyright law.

 

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