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Poison Elves: Lost Tales #1

Review posted: 23 Feb 2006

Writer: Aaron Bordner
Artist: Aaron Bordner
Publisher: Sirius Entertainment


 1.00 out of 5 Stars

Reviewed by Robert Murray

 


A demonic clown. A scantily-clad evil wench. A fairy that fights huge, muscled creatures. An elf named Lusiphur. I really should have known better than to pick up this atrocious issue. Do any of you sometimes walk into a comic book shop looking for something unlike what you normally read? That’s what I did last week, ending up with this weak attempt at illustrated entertainment. This issue looks and feels like a comic strip that a teenager in high school would draw up while he was bored in history class. It has the same mentality, and I’ll be darned if it doesn’t have a lot of the same pubescent preoccupations: boobs, blood, and bad manners. Also, there is really no story to speak of, only two different battles going on throughout the entire issue. It’s as if Aaron Bordner just wanted to draw some cool action shots and worry about the story later. However, later never came.

Rather than telling a tale, Bordner seems to have an overwhelming desire to show blood and severed limbs.


I would love to talk to some fans of this new Poison Elves series and ask them: WHAT ARE YOU THINKING? This issue has absolutely no aesthetic value of any kind, and I really pity anyone who plunked down hard-earned cash on this (like me). When you are trying to write humor into your tale, Mr. Bordner, let me give you a little hint: MAKE THE HUMOR FUNNY! I groaned out loud when I read the section that is clearly an homage to Willy Wonka and the Chocolate Factory. Instead of making this segment witty and quirky, Bordner ruins it by having the “golden ticket” say “This ticket entitles the holder to a free ass-whipping of a lifetime.” Really, Mr. Bordner, you could have come up with something better than childish potty talk!

Also, the art within this issue has a lot to be desired. Like I said earlier, the pencils remind me more of doodles than serious comic book art. The action scenes are stilted and there seems to be no true flow from panel to panel. Rather than telling a tale, Bordner seems to have an overwhelming desire to show blood and severed limbs. Gore does not make a story, Mr. Bordner. There has to be some sort of element of characterization or plot in order to hold readers and keep them interested in the events that are unfolding before them. I think what shocked me most after reading this issue was when I turned back to the front cover and saw that this issue was designated for mature readers. This was directed toward adults? I can’t think of a single adult comic book reader that I know who would sincerely enjoy this convoluted mess of an issue. Better to target the kiddies with this kind of entertainment.

Needless to say, I won’t buy any further offerings from Sirius Entertainment if this is the kind of product they are promoting. I keep thinking back to the last page of Lost Tales #1 and the sad excuse of a cliff-hanger splash page that Aaron Bordner offers up to end this issue. It gives me the chills, and not in a good way. This is the type of comic book that contributed to the artistic downfall of American comic books in the 1990s. Readers, stay far, FAR away from this issue!

By the way, the single star rating is for the description of “What Came Before” at the beginning of the issue. Ah, there was still a glimmer of hope then…

—CCdC—

 

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Cover image used without explicit permission in accordance with the "Fair Use" provision of US copyright law.

 

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