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Diversificated

Review posted: 06 February 2006

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Reviewed by Adam White

 


In honor of Black History Month, I thought I’d use my first column for February to explore the cultural diversity of lead characters throughout the comics industry in this enlightened day and age; then I realized — I’ve already reviewed Black Panther.

All kidding aside, can you name one comic off of the top of your head aside from Black Panther that features any character that is not white? For that matter, how many significant books can you name that feature a lead female character? I decided to look into this conundrum and see how many comic books (especially monthlies) feature non-white, non-male leads. Therefore, I examined Previews’ listings for Marvel, DC, and Image in the months of March and April 2006 (these three companies being the lion’s share of releases; plus, I didn’t have any other publisher’s data handy).

As I mentioned before, Black Panther stands as the most significant example, featuring the exploits of the king of the African nation of Wakanda. Current writer Reginald Hudlin has provided some (perhaps all) of Marvel’s much-needed “diversity” within this title, most recently featuring iconic (yet rarely utilized) characters such as Shang Chi, Luke Cage, and Blade (who hasn’t been used engagingly since the 1970s); Hudlin affords them all the respect they deserve, something that can’t be said for many others in the last few decades. Hudlin also injects African culture into Black Panther, which not only lends authenticity to the stories but provides something other than Marvel New York for readers to enjoy. Granted, Christopher Priest did all these things and more during his magnificent run on the title a while back, but he didn’t get the marketing push that the new series has, so Black Panther’s current prominence in the media helps make it more noticeable to readers.

And that was pretty much it as far as non-white males go — I searched through all those solicitations (Marvel, DC, and Image) twice trying to find something else, to no avail (apologies if I did happen to miss something, or if something was not present in solicitations due to lateness). Now, the criteria I established was that a series had to feature these characters as the lead (or at least one of the top two), and I was shocked yet somehow not surprised when I had trouble locating anything beyond Black Panther. So I opened up my search to women as well (originally a separate topic), just to have something to write about. Lo and behold, I had a little more luck, but not much.

At DC, I found the following: Birds of Prey, Catwoman, Hawkgirl, and Supergirl. I will also mention Fables since it often features prominent females. However, Supergirl is out because it suffers from poor quality and a lack of direction, and really does little to promote a strong female image to readers. Which leaves three DC books featuring positive leading female characters: Catwoman, which has the best example of a strong-willed, fiercely intelligent and independent woman; Birds of Prey, which does the same with several women, especially Barbara Gordon, who represents perfectly able disabled individuals as well (try finding that anywhere else…); and Hawkgirl, which has yet to be released as of this writing, but rests in the hands of two more-than-capable creators who I trust will make the most of it. But that’s it — three books, with rotating levels of success for each as far as story quality and sales/recognition go. And yes, I know that I neglected to mention Wonder Woman, but that book wasn’t solicited for those months, and it will only join this group if it gets an upgrade in quality from its current version.

I then searched through Marvel’s listings, finding Daughters of the Dragon, Sable & Fortune, the excellent She-Hulk, The Pulse, Generation M, and X-Statix Presents: Dead Girl. I was going to include Spider-Girl, but it’s on the chopping block (again); and I was also going to include Amazing Fantasy, since it has mostly featured female leads, but alas, it’s being cancelled as well and doesn’t currently feature said female. Araña was also absent from the listings I believe, indicating a likely cancellation. Marvel also has upcoming series for Spider-Woman and Ms. Marvel, both of whom are great characters, but I doubt either series will do justice to them. Another thing to consider is that The Pulse (which just finally recaptured some of Alias’s glory), which does double duty as it stars Jessica Jones and Luke Cage, will be taken over by the Generation M team as of issue fifteen and the cast will be replaced as well (although it will still have a capable female lead). Three of the others mentioned are limited series, which leaves She-Hulk as the lone ongoing series consistently featuring top notch stories revolving around an intelligent, complex female lead utilized to her capacity by an excellent creative team.

One last Marvel notable is the upcoming Storm miniseries, and, regardless of its quality, it mainly serves as a continuity retcon for her impending wedding to T’Challa in Black Panther. I will briefly mention Ultimates as well, since in the Ultimate-universe Nick Fury usually headlines the series. And yes, I intentionally left out New Avengers, because although Luke Cage is a member, he is relegated to the background and sadly serves as little more than “muscle” for the team, and Spider-Woman does get more “screen time” but serves as window dressing.

As for Image, I honestly didn’t find anything worth noting. There are several books that do have women in them (or at least all over their covers), but I discounted books that had little substance and/or influence, and I especially threw out T&A books. Top Cow tries with books like Witchblade and Necromancer, but they just don’t have the consistent story quality I was looking for regarding the purposes of this column.

My intent here is not to chastise anyone in particular or supply reviews for individual books, but to provide an overview to readers that shines a spotlight on the fact that there is still very little significant diversity among the comic books that show up on the stands each week. I’m left wondering why there are so many ongoing series devoted to white males and virtually no one else, and think that it is a question that the readers should be responsible for asking. Is it because the creators are predominantly white males? The readers? I just don’t think that is the case, and it’s time someone started taking notice and lobbying for some new ideas and characters that don’t fit this tacit industry standard. If we don’t demand it, then why should the publishers bother?

I love the old Master of Kung Fu series from the 1970s, featuring Shang Chi. I have a huge collection of Power Man and Iron Fist. Essential Tomb of Dracula is essential reading as well; but where are all these characters now? Where are the women (granted, there are more series now than there used to be, but still not many)? Where are all the female readers demanding something more than mindless T&A? Why can’t anyone seem to get a solid story and/or series off the ground? Why no new series that represent more than the usual suspects? Is there no demand? Because there’s certainly no supply.

Look around next Wednesday and you’ll see what I mean.

—CCdC—

 

 

 

 

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