front page  ·  comicbook reviews  ·  interviews  ·  comics  ·  merchandise  ·  contact us  ·  newsfeed: rss xml


Notes on searching
Browse the archive

 

 

Gunpowder Girl and the Outlaw Squaw

Book Released: 20 Jul 2005
Review posted: 08 Aug 2005

Writer: Don Hudson
Artist: Don Hudson
Publisher: Active Images


 4.00 out of 5 Stars

Reviewed by Adam White

 


I’ve always been a fan of the Western genre, so I was thrilled when I came across a solicitation for Don Hudson’s Gunpowder Girl and the Outlaw Squaw. Westerns are currently very few and far between, and only HBO’s Deadwood television series and John Ostrander/Leonardo Manco’s Blaze of Glory and Apache Skies for Marvel several years ago come to mind as being of any worth (apologies to any that have slipped my mind). So when I saw a preview for Hudson’s original graphic novel I had to at least give it a look. Thankfully my instincts once again did right by me and I found the only enjoyable Western in comics in years.

Hudson’s story starts off playing on both Western and gender stereotypes, and then quickly turns it on its head. The main characters are female outlaws Jill, Molly and Anuteh, who start off the OGN with a train robbery and shootout. While Hudson makes use of all tenets of the Western genre, he also goes beyond them to accurately explore the plight of women in Western-era America, the essence of what makes an outlaw, and the nature of real friendship and family. Hudson really impressed me with his handling of the material and never fell into any of the genre traps that could have made it stale or generic. The story really focuses on good characters, and that’s what makes or breaks any story in any genre.


“Maybe it’s time somebody woke up and gave this man some recognition.”


Hudson’s art was also a pleasant surprise, really capturing the emotion of the story through his characters’ facial expressions. The only other artist I can think of who does facial expressions as well or better is Kevin Maguire (Formerly Known as the Justice League; Defenders), so that puts Hudson in an elite group of two. Every character is unique and has a wide range of emotions, as if they were actors in a film instead of drawings. The story flows throughout, with Hudson focusing on the big moments and the small at just the right times. The whole package fits together nicely, with my only complaint being that at the end I’m left wanting more.

Don Hudson has apparently been around the business since the mid- to late 1980s, so I’m wondering why I’ve never really heard of him until now. This guy has the skills and he’s put in his time — maybe it’s time somebody woke up and gave this man some recognition. I’m thankful to Active Images for publishing Gunpowder Girl and the Outlaw Squaw and giving Hudson the opportunity to do his work on his own terms and produce a genuinely entertaining tale and one heck of a Western.


—CCdC—

 

 

 

Cover image used without explicit permission in accordance with the "Fair Use" provision of US copyright law.

 

Contact CCdC - Changelog - Colophon - Newsfeed

(c)2006 ComicCritique.com, all rights reserved
Problems viewing this site? feedback_@comiccritique.com